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From: Angela Cook <xubrnt@me.com> Date: August 30, 2015 5:33:07 PM EDT To: "xubrnt@mac.com" <xubrnt@mac.com>
in t~r/i gu(y)e
i'm going to din n'ere tu` be thin~nare
i did cyclo cross / did you know?
i found that i got bruised in places i didn't know i could, you know, when you are running a dismount and you bounce the bike when trying too mount. don't get me wrong, i still had fun. it just is a hardy sport, and a little refinement can take you comfortably and strategically a long way.
you still need to be hardy with out delay
or your momentum will pay…
i want to talk to you about the b-lock-a.d.-e- and the discouraging correlations to katrina's "rich enclave" that turned away (mostly black) citizens from the miles of flooding they made, with "authority" and a gun no less sir cum stance i ally e a/s-t- "u" b-e-st-
"authority" positioned their sel-l-f- on the "b/ri.d.ge" and told the others in distress to get off it. with a gun. in behalf of the "rich"~e/a/ve/n-0w/e-l/l-ien-ing- : your life or your right as re as 0n e which e/a d0 you pick f0rmally e?
rich-lie-n-owe-sum-e-
the problem is being in place (for no reason) x (all se as 0n e) the problem is appearing one way, and being absolutely defunct' actually e represent meaning ful~ly e
in the market place, for st a rt e r's
i really do get to go to dinner... until later sow/(h) eye op pose the I'm age without a face too the face From: Angela Cook <xubrnt@me.com> Date: August 31, 2015 10:54:45 PM EDT To: xubrnt@mac.com
fr0/m e w/hat d eat'h e ... d0 y0/u~s~e/e k
the s~mall c/r~aft is the big picture ... d.e all
i'll put the s~p.0.t lig~ht f0r e re all e/a~ve n f0re the re all, h0~w/e ave r (t) 0' nacht f0r e reel.
(in~g er(e) man~ye w/(hi)e~ st/e all) 0re st eel e w/hat eve r~you h~ap peal
ewe d0~(w/')n t like the m(e)ye s c0 p~e*(very e t hing e)
r~0.p.~e*ven s~0we
r~0.p.~e*ven s~0we. g. 0
r~0.p.~e*ven s~0we. g. 0 de
r~0.p.~e*ven s~0we. g.0/de like g0/A.D.~
r~0.p.~e*ven s~0we. g.0/de like g0/A.D.~ p~ear~0 de l0 ve. l0 g.0de L aw/e ar e p0~st/e n(')t n0.te a/nd p0's t/it n0.te ven tp~re t/ty~e ven s~0w/(h)0: g0/d~e l/0 t/t0 me all/e~ ye. g.AM e (a.d.) |
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too-the-in-f-act-fo/r-no-re-as-on -ad- just-b.c.- bein-g'-scene-is-e-very-e-t-hing-e- a-lien = lie-n-0w/e-direction-al/l-ie- |
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h = D.e~ fi/n~e t 0m.0r/r0~w/(h)0 w/hi~le a. d.e fi/n e H t/0 me
h/and & h/ea.d. & high definiti0n e ve/n t'~y0used in~c0mb/i/nati0n e |
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t rash t/r ash ey~e c/c0n e w/(h)0 r/k wit~hat
ta tm a tl a/s t/e
ta tm a tl a/s t/a ke
p.s. "0" r/-(e)ich- can be the s(e/e)m.0 king, u/y0u c/an (d)e b the fi r/e
p.s. "0" r/-(e)ich- can be the s(e/e)m.0 king, u/y0u c/an (d)e b the fi r/e i/n(n) g un seen
p.s. "0" r/-(e)ich- can be the s(e/e)m.0 king, u/y0u c/an (d)e b the fi r/e i/n(n) g un seen e t0 me
p.s. "0" r/-(e)ich- can be the s(e/e)m.0 king, u/y0u c/an (d)e b the fi r/e i/n(n) g un seen e t0 me ac/cent is e g/rat tis a fer ret in/g
p.s. "0" r/-(e)ich- can be the s(e/e)m.0 king, u/y0u c/an (d)e b the fi r/e i/n(n) g un seen e t0 me ac/cent is e g/rat tis a fer ret in/g the rich ard sacks at la~st ~ing t0 me a.d.
a w/he a p0n inc 0re p0re ate i/n g a me t all tu` b(e) f/r0m e w/hi(t)ch bu l~l e t's (e/e), s/he(')lls, 0/re miss i'll e (x) miss is le ap/p(lac~e in g's lee ping r/a.d. i c all y e w/(H)Re at h in/g e
*hb = hem 0/g l0 b/in, h al(l)f b/0 ard & h ard b lac k (i/n g) |
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a. d.e vi/c~e f0/r di's charging' s0/m e t/hing e ( in se(e) c~t i c('s)i`de, g/r e as e l/le c~t r/0n(e)s t0 ma. m.e in a re q~u i/r e (a.) D.~ |
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a st a r/t in g 0' pi'st 0'le
u/s/e(e)d i/n (') t(r)ac k and fi/e~L(0/r)D e/b t/0 m/e ac/c~la.m.e
w/an (y)e b/b 0/d~ye
w/an (y)e b/b 0/d~ye. g. a(i)n~s/t~e
u/s/e(e)d i/n (') t(r)ac k and fi/e~L(0/r)D e/b t/0 m/e ac/c~la.m.e ven t' s0 p/en ly e T
u/s/e(e)d i/n (') t(r)ac k and fi/e~L(0/r)D e/b t/0 m/e ac/c~la.m.e ven t' s0 p/en ly e T : d~ip b re a.d.' s~up/per/r~ing f~r/i~end |
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u/s/e(e)d i/n (') t(r)ac k and fi/e~L(0/r)D e/b t/0 m/e ac/c~la.m.e ven t' s0 p/en ly e T : d~ip b re a.d.' s~up/per/r~ing f~r/i~end i/n n~e/e d le~ye k/eye/p
u/s/e(e)d i/n (') t(r)ac k and fi/e~L(0/r)D e/b t/0 m/e ac/c~la.m.e ven t' s0 p/en ly e T : d~ip b re a.d.' s~up/per/r~ing f~r/i~end i/n n~e/e d le~ye k/eye/p f0/r/m/e~
u/s/e(e)d i/n (') t(r)ac k and fi/e~L(0/r)D e/b t/0 m/e ac/c~la.m.e ven t' s0 p/en ly e T : d~ip b re a.d.' s~up/per/r~ing f~r/i~end i/n n~e/e d le~ye k/eye/p f0/r/m/e~e pe(e)a.c.~e pee is t an/d' s/pay e t0 day T.
esp e/(e) s~w0rd = s~w/(h)0 rd 0b serve D. f0ra w/hi le x i c0n e(x)t e~xt |
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e* X is T~0/m e all e a.d.' see K i/n g's us sPeak up t a.m.e
w/hat w00d vi c~t0r e h/ug 0 ma k/e in f/r~a.m.e
w/(h)0 u L(0/re)D Mi's~s ta ke
b~r/i/t m(y) m~an(d')s e g(L)a.d.' st 0/ne ve/n an/d |
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G~0m g'm g~r/a.m.~s a s/m(e)all a w/(h)eigh t a bu ye & by e (f0-r/e-w/hat-e-")
g~r/a.m.~s a s/m(e)all a w/(h)eigh t a bu ye & by e (f0-r/e-w/hat-e-") n'e/e d
g~r/a.m.~s a s/m(e)all a w/(h)eigh t a bu ye & by e (f0-r/e-w/hat-e-") n'e/e d e/b tw/h0 (le) sell and cell a w/hale (a) ve/n tu' be a.d. well
From: Angela Cook <xubrnt@me.com> Date: September 3, 2015 9:33:06 AM EDT To: "xubrnt@mac.com" <xubrnt@mac.com>
C~har l0/t~te. G.0/d is h (and) be c0/m e s~her 0 e ve/in~ s~ 0we |
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"we were speech less" s0 w/00d~ye |
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cancer c ans w/(h)er e c(h)0
b'each at a p.r. i/c/e ve/in n~i/c/e~ |
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mi g/ran/t child b 0/d~ye 0n b?each s-h0/c-k's (e)E/u/r~0p/e
u na/p o log e t/i/c n~ewes an/c/h0/r e. g.race ful~ly e s/hut~s Up~s vi ew/e r/e s(e/e) c rit i/n g' s/pan is h/0 w/(h)ac~cent c b/l0 w/e in c an/d in k n0.w/in g.race as e` miss ta/ke
*san = storage area network |
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"a" 0/n-e- s-h0-t- de-all- t-his-e/e/-h(y)-ear-e- t0 me |
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if fi s~eek f0r e. g.i've nes(s)~t/0 me e/pre ma/t/u/re all y e r/a.d.i c/ally e |
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t00 the e X is t as a f(e)at e & f/ac~t i/n g~w/(h)it~h e/ave n~s 0/m~e a.d. j/u/st (u`) b.c.
per miss i` 0n e. g. ran t(e) d(e)n/a~c~t u ally e a.d. e/b the k i'll e a.d.
didn't finish my thought with r-ich-, the "man" that called me a "c-un-t" and a "b-it-ch" for passing him, and parking illegally at the post office, tried to cut me off so i couldn't pass, after i honked so i could get out of on coming traffic (to move his ass), and he gestured, "like" w-hat-2-due- and i am like, i'll s h0 w/~y/0/u... he got out of his car to jump my s(ee) hi t, even after i said and pointed the finger wit/h, that there was a Freshie to the front of the postal door u(?)se e (he had me questioning) (because t/he didn't bother to look). just jump my s hi t, ac c-us(s)ing-e- "a.d." ding-
0n e the t/0 p/i/c 0 celeb rati0n e t0 me~ye w/i'll e/ave t/0/u/r/ e pi e/c/e t hr u e ve/n a/s i`gh the (') d/aye. g.0 i/n g f0re ward the m/ay~ke. g.re at e
put~t et/he ne-le- in k/e.g. |
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ne = 0n/e # 10 ne 0n e in 0rigin = ne 0(')s aye 4 s aye s 0/me t hing e n/e w/e tu' de & le (L/0ve) + (E/very e t hing e) = L~an/g u age Engineering i've n d' s~ending a.m. e.g. A in/n a.m.e |
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0 rig i/n
0 rig i/n E t re E f0/r/t/h/e be.g.in~n'ere t0 me` ve/n(el?) ly e |
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s a.m. e a.d.
si` lent 0/n e ne'ye T
si` lent n/ac ht
si` lent n/ac ht may e b/b~e in g f0r/t/he tw/h0 w/in~g's Peak si` lent n/ac ht may e b/b~e in g f0r/t/he tw/h0 w/in~g~ed's Peak
n~at/u/re ally e
vs g-nat, however there are similarities in t hat ... a c0r0llary e w/eft and f/act 2 the re gard as
vs g-nat, however there are similarities in t hat ... a c0r0llary e w/e~ft and f/act 2 the re gard as p/b ein g raft
vs g-nat, however there are similarities in t hat ... a c0r0llary e w/e~ft and f/act 2 the re gard as p/b ein g raft an d's naked L a/s~t L~augh t e'r/e a.d.d e'r~(e) in/n g.race i o u/s~ly e tw/h0 se e h~0/w/(h)e at f 0ught e'r~e |
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From: Angela Cook <xubrnt@me.com> Date: September 3, 2015 11:00:52 AM EDT To: "xubrnt@mac.com" <xubrnt@mac.com>
i'ma g*i/nati0n e p(lace) U fxf~i z/i~g' z~ag f/as hi 0n e/able e/ven e my e l/l0!ve ly e. g.al~le ry e s p/ace~
i'ma g*i/nati0n e p(lace) U fxf~i z/i~g' z~ag f/as hi 0n e/able e/ven e my e l/l0!ve ly e. g.al~le ry e s p/a.c.e~ at hat ye. g.b f0ra. m.e a.d. |
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i'ma g*i/nati0n e p(lace) U fxf~i z/i~g' z~ag f/as hi 0n e/able e/ven e my e l/l0!ve ly e. g.al~le ry e s p/a.c.e~ at hat ye. g.b f0ra. m.e a.d. e~st i/n~ye s(e/e) c/all i/n ge d's
i'ma g*i/nati0n e p(lace) U fxf~i z/i~g' z~ag f/as hi 0n e/able e/ven e my e l/l0!ve ly e. g.al~le ry e s p/a.c.e~ at hat ye. g.b f0ra. m.e a.d. e~st i/n~ye s(e/e) c/all i/n ge d's e. g.race f/ash/i/0n/e f/ace
sep te m b'er e c0/m~e b/be f/0re 0 c t/0 b'er e t/her e
f/all e'ye in e min(e)d
f/all e'ye in e min(e)d at a t i'm e |
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fashi0n e leg a(i)n c~e
f0ra p.r.i/c/e see n(0we)
f0ra p.r.i/c/e see n~0w/e in g/race fu(e)l~lent en 0.f/f t00 the te L~L
f0ra p.r.i/c/e see n~0w/e in g/race fu(e)l~lent en 0.f/f t00 the te L~L e t w/(h)i se~e
f0ra p.r.i/c/e see n~0w/e in g/race fu(e)l~lent en 0.f/f t00 the te L~L e t w/(h)i se~e d~ye
f0ra p.r.i/c/e see n~0w/e in g/race fu(e)l~lent en 0.f/f t00 the te L~L e t w/(h)i se~e d~ye t~0/m~e a.(d.)se~e
fashi0NE LEg a(i)n c~e w/e s0p hi st~i c at(e) i 0n e
fashi0NE LEg a(i)n c~e w/e s0p hi st~i c at(e) i 0n e w/e g0/d~e all e & ri'de re spec t i've ly e X a.m.p le. g. the me m0 r/ye |
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t is 0p m(e)ye w/he y0u r 0at e : tis 0k 2 s~0w/e my ewe r 0at e |
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t is 0p m(e)ye w/he y0u r 0at e : tis 0k 2 s~0w/e my ewe r 0at e b/i cycle t circle a.d. a.m.e & may~ke the c0mp(L)eat ly e see k/e
t is 0p m(e)ye w/he y0u r 0at e : tis 0k 2 s~0w/e my ewe r 0at e b/i cycle t circle a.d. a.m.e & may~ke the c0mp(L)eat ly e see k/e 2 b re a.d. f0/r/t/h/e s0p pi/n~g
t is 0p m(e)ye w/he y0u r 0at e : tis 0k 2 s~0w/e my ewe r 0at e b/i cycle t circle a.d. a.m.e & may~ke the c0mp(L)eat ly e see k/e 2 b re a.d. f0/r/t/h/e s0p pi/n~g' st~aid
t is 0p m(e)ye w/he y0u r 0at e : tis 0k 2 s~0w/e my ewe r 0at e b/i cycle t circle a.d. a.m.e & may~ke the c0mp(L)eat ly e see k/e 2 b re a.d. f0/r/t/h/e s0p pi/n~g' st~aid ay/e. g. A i/n~n ste a.d.
rich ard sac(h)s 0 likes a c0m p/an~ye w/art i f/act s?
c0mp eating w/t~he nits at L ast er e mat~h
the nits 0/wn 0n e be~sP0ke n/0we g0 "a.d" in (')t de tail 0 a.d.
but l0 at h...
l0 t h/0 st i'l~e an d's pi te ful~ly e l/lee d' s~0w/rye t h(r)e a.d. |
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but l0 at h...
l0 t h/0 st i'l~e an d's pi te ful~ly e l/lee d' s~0w/rye t h(r)e a.d. C/an e m~ay/ke p.r.0 t e/in e p.r.i'me r~rye 0n e p.r.0 t/0's and fi/r st ly e
i r 0n i c/ally cain 2 can e, blacks historically carried the sugar vein too the whites h(e)istorically e/as/e (the) f/act e vain ag/g-a-in-...t0 me~ye didn't set up the p.r.-i'me-all-s-Peak-(e/a~sy~s te mean) |
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i.d. i.d. 0' k n0. t~e ra.d.i c/ally e
From: Angela Cook <xubrnt@me.com> Date: September 3, 2015 11:40:11 AM EDT To: "xubrnt@mac.com" <xubrnt@mac.com>
her mit
de-man-d's-and-p.ress-u-re-s-
s0 lar
she n0.te r~e.g.ress 0re's
g00d~ye From: Angela Cook <xubrnt@me.com> Date: September 3, 2015 2:58:14 PM EDT To: "xubrnt@mac.com" <xubrnt@mac.com>
g00d(e)~ye w/eb~r/ave
g00d(e)~ye w/eb~r/ave t0 me f/el~l' say fe g00d(e)~ye w/eb~r/ave t0 me f/el~l' say fe in st/e a.d. g00d(e)~ye w/eb~r/ave t0 me f/el~l' say fe in st/e a.d. 0 w/he a.d.
--
min 0 & i throw thru the trees and bank of/fe & fee ven ly e under e st 0/0 d
f/r(e/e)is(e/e)be~e is k n0. t~a. m.is~s tak ke in em ave n tu(`)ally e sent
& he min0 sensing t/he at e very e t hing e
s~h0 rt an arr0w e ap p.r.e c~i at(e)i've ly e s c0 p(e)and c0 pi l0 t a way e |
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e~r mi/n~e w/e. g.0 all de s p0 t' s0/n a b lac k g/r0und in (') t h0 pen an d's say e
kg=kilogram, and keg & k/night of the order of garter apparently in sight ad
From: Angela Cook <xubrnt@me.com> Date: September 3, 2015 4:38:30 PM EDT To: "xubrnt@mac.com" <xubrnt@mac.com> |
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y0u kn0w inga~ |
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i was here team mate before she became a cyclist / we ran in circles across hill and dale (esp a b/r0~a.d. 0/n e tw/h0 de/l/l e t hr u~e |
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https://www.facebook.com/media/set/?set=a.497715490260067.117538.468230276541922&type=3 |
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cutting teeth 0ne st/e p ata ti'me w/it h(0/u/)r u~e
cutting teeth 0ne st/e p ata ti'me w/it h(0/u/)r u~e 0n e the (e)line
h0/n e st i/s t p.r.i'me |
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richard sachs is a p/ha~t 0/m~e |
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s(cene) l-and-er-e- ?
manfred jakober was a 5 x world cup skier from switzerland, if i remember it right. he was , when i remember him, chisel ed e lig ht |
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i don't know what to say about a need to compete for m(e)-0ne-ye-
rent the cl0thes 0/n e my e b/0 b ac k at ye |
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t/hat is a beautiful b/raid |
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am i g0 t0 getting sent i meant all
g0/d (e/b) t/he n/an de all t0 me
st r/i fe e d/e n's it~y e |
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watt a(i)re is w/(h)ave s~i e ve/n (') t e q~u all y~e
watt a(i)re is w/(h)ave s~i e ve/n (') t e q~u all y~e
i'm st am/p i/n g t0day~ i go fora s/p/ace *r/as/p by s/crap/i~n g it 0f/f/e~e d
like working the same p(lace) p/age 0 pen ly e
like working the same p(lace) p/age 0 pen ly e t00 the suck see~d
ge tit?
you get ta t~i/t at your b ac k and f0re ward e
you get ta t~i/t at your b ac k and f0re ward e' s c0pe
you get ta t~i/t at your b ac k and f0re ward e' s c0pe in re verse (a) g0/n ye 0n e ta t i'm e w/h me as u/r~e f/ac~t 0/0 t/rut h/r u~e |
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we(')ll e this re st f0r(h)a b/it
From: Angela Cook <xubrnt@me.com> Date: September 3, 2015 11:35:42 PM EDT To: "xubrnt@mac.com" <xubrnt@mac.com> |
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c/ran~k and ha b~i/t per pet u all e a.d. |
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From: Angela Cook <xubrnt@me.com> Date: September 7, 2015 9:40:21 AM EDT To: "xubrnt@mac.com" <xubrnt@mac.com> tarot reading
I am getting ready to send the performance art postcards 2 advertise rr.haus tandem ly. how am i doing on this~ still a good idea, and looking beyond e ve/n~
the tower end of an era what was solid was safe was established has to alter, sometimes invites warmly sweetly sometimes obliges by putting bomb shell
like factors in life seem solid and straight forward we build our talents fill with opinions and ideas cement structure against things that would threaten us
it is time to leave only inner tower towere of strength that is falling apart painful but wonderful to chance to move on / what has been a limiting factor in your life, don't have to stay stuck where you were but you do not want to
struggle to stay where you are with what you got that can't happen there has to be movement what you do have to do now there is no alternative is to shrug aside this desire to be rooted to one spot & accept change that is coming into your world even if it is a bolt out of the blue you should be welcoming and making the very most of
princess of cups shut up do as you are told listen to older and betters your opinion doesn't count for very much you currently feel you shouldn't interfere in something there is a drama unfolding story being told you are a part of the story and others involved too, very determined about what they want to achieve and why want to achieve it, and that no one should question them part of you not comfortable sense something amiss or adrift here and not sure if have authority or right to question what is going down, hovering on brink of indecision, feel nervous vulnerable can't sleep & rest easily, & this situation will continue until find courage if not to actually turn around and defy something undefiable, but talk to someone else that can tell you the fuller picture, there is a lack of clarity and needs to be replaced with total clarity, are entitled to your own understanding, can't keep blindly trusting platitudes that are being given as excuses and explanations, speak to somebody that has a littlel more insight you can trust to listen and tell you the truth then make next decision wisely and informed
emperor fortuitous card, somebody kind wise powerful stand above make things right in very considering and caring way, either you are about to become that person with adults acting like children or somebody that has the power to bring a healing aspect to yoru life is going to bring it to you. introduction to your situation a wise kind caring considerate voice, won't just say something, but make something happen to a stressful situation
summary understanding you have reached life often contains things we can't legislate for easily find a way a round or make sense of, end up feeling disappointed hurt baffled & embattled by factors that are not fair that hurt that seem so wrong to us and question the things built life upon, and when rug gets pulled away from us in that way have to reinvent ourselves or a big part of our selves, before get to answer of question, have to look behind, another question implied, when we feel we are without control or power, begin to invisage the possibility of some great helping hand will come into our world sweep us off our feet sort everything out clear everything up and leave it fixed and put right and we will be protected and know we are safe because abdicated our own responsiblity and power to higher force .
higher power does exist, manifestations of higher force all over the place, people who act like have air of authority, some really do, the air of authority we are looking for here that lies within you, looking at your ability to come thru what has been painful and stressful overcome a part of yoruself that doubts yourself or sees yourself as small insignifican't or somehow weak vulnerable, and knows how to reach within the things its/you can be sure of, guidance only you can give yourself leadership only you can show too yourself, one part of you now has to pick up the rest of you, and say it is this way forward, trust me follow me and that is how clear your have got to become, the answere to question = yes where you now seek that much of a miracle you can have that much of a miracle but not necessarily in the way you think you can, not thru achieving this or getting that or away from that, or overcoming that or bringing this into your world = factors external material and untimately irrelevant.
somewhere w/in you, is a person that rises like a phoenix from the ashes of a painful stressful experience, takes control takes charge, takes a big step towards the right outcome, as you do that and you will, the right outcome takes a big step towards you
From: Angela Cook <xubrnt@me.com> Date: September 9, 2015 11:47:15 AM EDT To: "xubrnt@mac.com" <xubrnt@mac.com> on richard sachs facebook seg 0
t00 many c00k s p~0 i'll the b r0t h~
atm 0?
h/ave t0 g/0 ing0 t~h/e at p/0ur and c a/s~t e re p~eat g0 ten f0r e all e : b/l0ck 0 st/e e~L, g0 all de/n, s(e/e)i'll v e're me t all 0/b l0/n~g in~s hap e* |
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why the line drawn in the sand approach e/a ve/n?
doing the be/st with 0 w/hat y0u h/ave s/h0~u~L(0/r)d = l0 r(0a.)d. be en0ugh~u/e see k
s/h0~0/d~e
plainspeak: i have work, it is hot, got my zinc on, riding my bike, "b.c." and-ye- reclaimed his- c-ar- because, really, he caught me thinking / by making a note even, and some how that offended his sensibility, that i am not really there for him pre sent ly e.
From: Angela Cook <xubrnt@me.com> Date: September 13, 2015 7:21:03 AM EDT To: "xubrnt@mac.com" <xubrnt@mac.com> |
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From: Angela Cook <xubrnt@me.com> Date: September 14, 2015 2:52:45 PM EDT To: "xubrnt@mac.com" <xubrnt@mac.com>
eddm was delivered to usps delaware, checking how brian the post master is : |
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the h0~u/s e f/ave 0/r~es t'h0 d's it c/ar(e)rye~syn(')the ta t i'me tw/h0 me/r~r/ye From: Angela Cook <xubrnt@me.com> Date: September 14, 2015 3:43:31 PM EDT To: "xubrnt@mac.com" <xubrnt@mac.com> |
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From: Angela Cook <xubrnt@me.com> Date: September 16, 2015 11:12:53 AM EDT To: "xubrnt@mac.com" <xubrnt@mac.com>
http://www.vox.com/2015/9/16/9335793/ahmed-mohamed-irving-bomb-not
ironically the po-lice- and t-each-e-r-e- are the c-lock on the re-p-a/s-t-e- ta-king-t-here-d-um-b-e-d-um-b-0ut on the i/n~n0 cent
"nocent" by the way-t-, is to do h-arm-(ye-) w/hat- a/ve- ye-
ironically in t-i'm-e-, it is why paul drinan r-each's for his m(e)ask to c/h~ang e the c/lime and c/limb-in-'-t-i'm-e- ye- s/tup-i.d.-e-very-e-t-i'm-e- & st-u-ped-c-him-e-
he asks his m/ask and what he comes up with is a smattering of irrational boldness where emotion = conviction too the truth i presume, however e kn0t hr u e.
in vi te s cr~ew e t00 the quick ly~e ven t hr u e = sc~r~ue 2 x tw/h0
in contra st, paul in-vi-te-s-c/r-ewe-too-the-quick-lie (&-ly-e)-ven-t-hr-u-e- = s(e/e)-c-r-ue- 2-x-tw/-h0- m e-e-k-ly-e- tu`-tu`- the -w/-eek-ly-e-
passions must persevere too/th contrast all these y-ear-s-e-
quick-app-le-ye-d-in-n-(')t-i'm-e-
like a cultivation for a certain mac-k- on- (') t-hat- may-ke- & b-rake- the f-act-act-b-race-
i think therefore i a. man i c~u/re d. e ve in (') the s~a.m.e
i think therefore i a. man i c~u/re d. e ve in (') the s~a.m.e in~serving th' f(r)a.m.e
in contra st, paul in-vi-te-s-c/r-ewe-too-the-quick-lie (&-ly-e)-ven-t-hr-u-e- = s(e/e)-c-r-ue- 2-x-tw/-h0- m e-e-k-ly-e- tu`-tu`- the -w/-eek-ly-e-we-in-g- f0r-t-he-ad-d-ing-"con'sequent-i-ally"-e- pur~se-wing-
i think therefore i a. man i c~u/re d. e ve in (') the s~a.m.e in~serving th' f(r)a.m.e : i am reposting this as my email read/write program, made the 'r' in parenthesis a register trade mark. re all y?
the irony, i have been pursuing a purse, i want a purse, or so i think i want a purse and i particularly like patricia~n ash purses. however, i think what i like is looking. i can't absolve really having a purse. a purse i like, that is pre t/tye. i like looking. i did order one, and returned, because, i just couldn't make use of it. i have a purse already, it is fabric small pouch, goes with athletic clothes. i can't absolve a leather purse, fashioned lovely first. i think the purse i really want is the value of being open and shut with worth. if i carry something lovely peep-pull will think it is for their mirth. which i don't mind except, somewhere de/e/p ithe in k/ni/t, i know not one p/aid me too the a.d. just b.c.
2 ac tua ll ye, k i'll e a.d.
be(e)sP0ken a/s~s/in us at last pass g*as~p |
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From: Angela Cook <xubrnt@me.com> Date: September 16, 2015 2:29:48 PM EDT To: "xubrnt@mac.com" <xubrnt@mac.com>
This photo looks like the as shamed have been found "0"ut, attempting to s-por-t- kill with t-heir c-hubby rolls, t-hey -e- would spin on the unspoken for "p.r.-i'm-e-t-i'm-e-" enter ta/in-ing (c-heap-ass-)
mass-acre
mass-ac-re-m-ad-e- |
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ping~
pi/n~g race ful~ly e
w/hat' ave t'hee d/0 pen ly e ... t0 me & e tu`m~m(e)ye
nice, i am losing weight btw. fine ally. not bein/g on and-y-e-s time c-lock-e-, s hr inks my wait gain. so excited, i should be in winter wovens before winter if this keeps up.
and-ye- has 2 cross his he ar t and h 0p e tw/h0 dye
and-ye- has 2 cross his he ar t and h 0p e tw/h0 dye (a s t/e)
c0/m. 0.n y0u p0r~thing
i/n (') the (') l~le a/s t/e
i/n (') the (') l~le a/s t/(e) all' s~0we |
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pet = an at 0m i c all ye / p~l/ace e~very e t hing e t~w/h0 w/hat a t~e*
place everything e t w/(h)e re~f'ere n c~e. g.u~se/e
place everything e t w/(h)e re~f'ere n c~e. g.u~se/e d.ate
P(e)T, gets l0(s)t bet ween p/art ... "t" "i'm" "e"
the things that aren't reall but-t-re-el- hu(e)s sy s e/e
p~ar(e)t~t i'm e/e p/L~a.c.~e (e*) T in re f/le c~t i 0n e =
p~ar(e)t~t i'm e/e p/L~a.s~e (e*) (T=)D
l/as/e : 0f a sub stance esp's ag~a/s 0/r c/rye/st~al/l e a/n(d)s w/(h)ear(r)ring
r-ich-ear/s-e-g.w/her-ring-it-se-am-s-
shar(e)0ne d0esn't believe 't f/air t hat e'ye c/can pet and pe(a)t~he but she can' t~h/ere = pet-ty-e-
p~ar(e) t i'm e = place T all the time in g' sus/s~ w/(h)ay e see k
e* pen sive. g.c an T(p)~b-0u(g)ht-e- X pen si`(e)ve
L-at/he-r-/-ring-e-
real + reel 4 vert h(u)e a. de all e.g.
l0! se/e 0ne ('s) b/al~lan~c/e an/d' st ag/g e're
l0! se/e 0ne ('s) b/al~lan~c/e an/d' st ag/g e're 0/re
l0! se/e 0ne ('s) b/al~lan~c/e an/d' st ag/g e're 0/re 0
ac/cent~r/u~e
From: Angela Cook <xubrnt@me.com>
Date: September 1, 2015 12:46:53 AM EDT
To: "xubrnt@mac.com" <xubrnt@mac.com>
a/(s)cent as(c)ent in k n0. w/(h)ing' s aid i fxfer rent's (t) 0~p/en~d f~l0 w/(h)ing~ (a) c/li'mb 0 w/all k tw/h0 (x) t00 the sum mit
in sing i've r/i's/e th'ing tHRu (h)t are and air e
in/n e*